Cutsforhim
UNADJUSTEDNONRAW_thumb_10b04
IMG_8325-8
Screen Shot 2017-06-08 at 01.39.54-2
CANO_Photography_Cuts4Him-0003
IMG_0755 (1)-2
cfh_homeslider_1260x600_01
shoot_4

Make a statement with colour

Colours! What is it about coloured garments (suits to be precise) that make most men panic? Is it the fact that we are never too sure how to pair colours when we choose to mix them, or is it the prospect of standing out in the crowd? Ok before I go any further, let me just qualify the word colour just in case some of you are wondering what I’m on about. My use of the term colour refers to anything outside of the neutral range such as black, white, grey, and sometimes brown and beige. These colours are neutral as they do not show or appear on the colour wheel. In essence they are “safe” hues. Fully saturated bold hues such as red or burgundy, green, aqua, pink, royal purple and more to the point, yellow are my idea of colours.

These colours are far less likely to be worn by men in comparison to the wardrobe staples such as navy, black, and grey. I mean don’t get me wrong these are appropriately named wardrobe staples for a good reason but you are not going to get very far if you truly want to make a statement where colour is concerned. Black, white, grey do a great job at pairing either with each other or anything on the colour wheel, but that’s about it.

Ok let me take a step back a little bit. The truth is wearing a full suit in any of the bold colours mentioned above is tricky and I get it. Imagine wrapping yourself in a badly cut coloured suit like royal purple on any given day. That will get you attention alright but for all the wrong reasons. Get it right and I guarantee you will turn heads, literally. I mean you only have to look back to Autumn/winter 2014 run way were many models donned the elegant burgundy. Burgundy was like an instant hit that continued it reign to date. Nothing better than a well-tailored burgundy suit for spring/summer 2015 season and I think Ozwald Boateng epitomizes this look perfectly. This have statement piece written all over it.

However, I understand that wearing a bold coloured suit is a bit too much for some especially those who are not used to colours. May be you want to break into this sphere of fashion and style gradually? Well I have good news for you. Your statement piece does not always have to be a full suit. I recon a well cut blazer can equally do the job with half the risk. To demonstrate this, I used my statement piece for spring/summer 2015 which is a yellow/mustard coloured blazer from suitsupply. I fell for this piece the minute I walked into the store. In fact, I went in for something completely different but left with a big smile on my face knowing that I have made a good purchase.

I do not need to wear matching yellow trouser with this piece as I recon I risk looking like a clown or worst a walking banana. The idea was to pair my yellow blazer (which is a warm colour) with a navy trouser (cool colour) to get perfectly balanced mix.

thumb_thumb_IMG_4512_1024_1024

I had the option of wearing either a blue or white shirt but went with the neutral option which is white. I added a pair of brown tasselled loafers from Paul smith, and brown belt from banana republic to match the brown buttons on the blazer. To top it all off, I also added a light blue pocket square (cool colour) to break the yellow a little bit. I made sure that nothing competed with the yellow blazer in the form of patterns or other warm colours. It was all about the blazer.

Pairing can be a daunting task for some, but I recon learning a thing or two about colours will go a long way to help. What better way to learn about colour pairing than the colour wheel eh. So yeah, get acquainted with the colour wheel and see how you get on. Understanding the position of each colour (all twelve) is important and will determine the difficulty or ease of pairing, or whether they can be paired at all.

Paddington, London

Here are three things to consider when looking at the colour wheel:

  1. Similar colours – these are next to each other and are generally easy to coordinate
  2. Complementary colours – Complementary colours are opposite each other on the wheel and are quite difficult to pair in comparison to similar colours. Try not to wear them in their full strength together as they may be too much for the eyes.
  3. Contrasting colours – these have three colours between them on the wheel and can be troublesome for the eyes if used with their full strength. A good way to pair them is to use a darker tone with one of them just so they do not compete with each other.

So brighten up your wardrobe by investing in a bold statement blazer. Come back and share how you intend to pair it up. Feel free to add your comments and tips below as I am sure other readers would appreciate it.

Prague: the style capital for architecture

Ok, first of all, why haven’t I been to Prague before? And how come no one ever mentioned to me how beautiful this European city was? As someone who loves travelling, why do I know so little about Prague? In fact the only thing I have heard about Prague is that it is a hotspot for stag dos and cheap beer. Cheap beer of course naturally attracts young British tourists. As someone who is not a huge beer fan, this was hardly a selling point and would rather sit in front of the lake in Geneva watching people go about their business. But here I was in the middle of the old town in Prague on a Friday evening with a look of bewilderment and surprise. Surprised at what my eyes were seeing. Just in case I haven’t already said it, Prague is incredibly beautiful.

The fact that I was blown away by its beauty is probably down to me having little expectations. If anything, I had this notion that the city is overrun by old Gothic looking buildings and architecture with beer houses dotted all over the place.

In fact I know so little about Prague or the Czech Republic in general that I only found out their currency is Koruna when I was on my way to Heathrow airport to catch my flight. I mean seriously what on earth was I thinking? All along I assumed it was the euro.

Waiting for my flight at the airport with little to look forward to, I began to plan how I could explore the fashion scene in Prague, which based on a link a friend sent me, hardly exist. Knowing at least that Prague is not a city associated with fashion and trends; I was determined to discover up and coming Czech brands that I could blog about. I mean there has to be more to Prague than stag dos and cheap beer and if I should spend my time exploring anything, then it has to be fashion. Well that was the plan at least.

The reality of what I ended up exploring couldn’t have been any more different to what I had in mind. The architecture! All of it and I mean Romanesque, renaissance, gothic, functionalist, cubist, classicism, historicism, post 1989 and by far my two favourites, Baroque and Rococo. The architectural styles span several centuries and makes the city looks like it wears it history on it sleeve.

If architectural diversity and taste were fashion, Prague would have been the capital of Europe ahead of London, Milan and Paris.

Anyway, enough typing for now as I would rather the photos speak for themselves. I hope they do justice to this wonderful city. I will do another blog post about Prague in the near future to share more photos.

Enjoy!

The view of the city from Vyšehrad castle

thumb_IMG_5728_1024thumb_IMG_5710_1024

The view of the city from Prague castle

thumb_IMG_5208_1024thumb_IMG_5280_1024thumb_IMG_5166_1024thumb_IMG_5185_1024thumb_IMG_5182_1024 

Prague Castle in the distance

thumb_IMG_5127_1024thumb_IMG_5120_1024thumb_IMG_5124_1024

Baroque and Rococo architecture

thumb_IMG_5245_1024thumb_IMG_5091_1024thumb_IMG_5093_1024thumb_IMG_5116_1024thumb_IMG_5919_1024thumb_IMG_5104_1024thumb_IMG_5102_1024

 

 

Gothic architecture

thumb_IMG_5090_1024

thumb_IMG_5247_1024thumb_IMG_5119_1024thumb_IMG_5918_1024

Prague by night

thumb_IMG_5042_1024thumb_IMG_5041_1024thumb_IMG_5034_1024thumb_IMG_5033_1024

The Prague astronomical clock, or Prague orloj

thumb_IMG_5100_1024thumb_IMG_5099_1024

The Crucifix on Charles bridge  

thumb_IMG_5126_1024thumb_IMG_5125_1024thumb_IMG_5025_1024

The makings of a ‘Rudeboy’ – Ska, Porkpie hats and fashion

Return of the rudeboy exhibition – Covent Garden

When a good friend Cano told me about the exhibition and launch of a book called Return of the Rudeboy, curated by Dean Chalkley and Harris Elliott, I immediately sprang into action by first entering the dates into my diary, and then proceeded to doing a bit of online research on the origins of the concept. I was quite keen to check out the exhibits this time round as I missed their very first London exhibition at somerset house in 2014.  I have heard and seen Dean and Harris’s body of works before and even follow their Instagram page but did not really know much about the history of Rudeboy and wanted to have a deeper understanding of its roots. What better way to do so than speaking to the two men who made it all possible, so off I went to the hospital club in Covent Garden.

‘Rudeboy’, no I am not referring to Rihanna’s  2010 hit song.  Just in case this is your first time hearing about “Rudeboy” in this context let me try to give you a quick background to it Jamaican origins from the 1960s to its present day use here in England.

Harris Elliott, creative director of return of the Rudeboy and I

What is a Rudeboy and how is the style relevant today?

Rudeboy is said to be the first youth subculture of Jamaica after the country gained independence from Britain in the 60s. This subculture was necessitated by poor living conditions in the shanty towns of West Kingston were an underground economy grew and young people had to find ways to survive by any means necessary. The youth quickly became disenfranchised and violence ensued, even leading to curfews being put into place to curb such violence. With these struggles by marginalised citizens came the need to form informal and sometimes illegal groups and gangs to protect and fend for friends and families. The original Rudeboys was formed. The rudeboy wore sharp suit and pork pie hats to create their own personal style. Some say they did so to mimic the lifestyle of the upper class adding sunglasses to the look which they wore at all hours of the day. Living in the slums of West Kingston but wearing sharp suits and ties makes the rudeboy identifiable by their neighbours in the slums and suspicious to the upper class of Kingston. They literally stood out and with time,  Ska music was associated with the Rudeboys.

Looking back in history, it may seem like Ska music and the Rudeboy subculture have enjoyed a close relationship from the start. However, Ska music came before the Rudeboy image was recognised as a subculture in the mid to late 60s.

Ska itself is a music genre with elements of mento, calypso, American Jazz and rhythm and blues and in the late 50s Jamaica and a predecessor of genres such as Rocksteady and Reggae.

Mind the details

Apart from dressing well and being huge fans of Ska music, the Rudeboy subculture helped spread the music to the working class which later became known as 2 Tone Ska upon it revival in England in the 70s. Subsequently, Rudi and Rudies (Rudeboy and Rudegirl) became terms used to describe fans of 2 Tone Ska as they enjoyed a strong presence within the genre.

British youths in the 70s, both black and white wore sharp suits, with slim ties, pork pie hats and shoes to match to identify with the movement’s Jamaican roots. As with its earlier days, the Rudeboy movement divided opinions and Ska artists of the 70s were no exceptions as some see the subculture as a menace whiles some celebrated it.

Part of the Rudeboy collection

Fast forward to present day “Return of the Rudeboy”, fashion photographer Dean Chalkley and creative director Harris Elliott curated various pieces of sharply dress individuals who show the essence and spirit of a Rudie through what turned out to be successful exhibitions both in London and in Tokyo. Speaking to Dean himself on the last day of the London, Covent Garden exhibition, it became apparent that all the Rudies photographed had their unique styles through which their individual personalities shown but collectively embodied the essence of the Rudeboy look. Dean made sure to point out that none of the photographed Rudies were styled by himself or Harris.

As Harris Elliott himself put it, ‘Rudeboy image is not down to the clothes but the wearer of the clothes. The spirit and attitude the wearer channels through their personalities’. It is easy to see this as I admired the printed exhibits.

Exhibits

The looks of a Rudeboy back in the 60s is a far cry from what we identify today as Rudeboy in the inner cities of London. Rudeboys or Rudegirls these days are more likely to be wearing sportswear showing their bottoms than a well-tailored suit. In fact the youth that refer to each other as ‘Rude’ today deliberately wear hoodies as a way of differentiating themselves from the suit and tie, which is seen as conforming to the status quo.

The re-emergence of original Rudeboy dress code highlights how inner city subculture usually associated with disenfranchised youth has evolved over time.

From the dance moves of the Ska music, to the way Rudies wear their hats and ties means that the Rudeboy movement is not limited to what you wear but the attitude and spirit the wearer gives off defines one as a Rudie.

A copy of the signed book

Just before leaving, I asked Dean when we should be expecting another exhibition. He simply smiled and said we shall see. So until then I recommend you get the book here.

Stylist – Digital Curator – Blogger