Tag Archives: Cuts for him

Family is the word – Stepping out in style

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Family is a word that evokes so much feelings and emotions that cannot be summed up in words but rather shown through actions.

The oxford dictionary defines family as “a group consisting of two parents and their children living together” or more aptly “a group of people related by blood or marriage”.  The term blood by itself (in the second definition) is enough to conjure a feeling of belonging and one of real connection. A connection even nature itself cannot undo.

Family is the most basic but yet most important unit of any society.

I personally think that family is God’s way of teaching us how to relate to him through service, accountability, challenging each other in love. Love which when nurtured properly within the family can be extended to people outside of it.

A happy celebrant!

 

As it happens, I was blessed with amazing sisters, one of whom was graduating after completing a degree in Criminology and Criminal justice.

I know right, you can imagine the excitement laced with feelings of accomplishment after all those sleepless nights burning the midnight oil.

Seeing my sister graduate was a moment of pride, joy and absolute pleasure for the entire family and celebrations were in order as we thank God for his mercies.

My Dad, Ed senior and my other sister Jennifer were both in attendance too. Knowing Jennifer, she might try to outshine everyone else in the ceremony including the celebrant. #sideeye

Jennifer trying to outshine her sister #Sideeye

Not that I was competing with them but I wasn’t going to look like a tramp in their midst. So for this reason, I was going to turn up in style.

 

As you would know by now, I love my suits and always look forward to wearing them at any given opportunity.

I personally think a suit adds an extra dimension to a man’s look no other garment does. A business suit or lounge suit is the most common of suits. Although this kind of suit is common, it doesn’t mean it has to be monotonous and boring.

So in this occasion my style idea was ‘simple with a twist’ or a ‘cool classic’.

I only wanted two colours, well strictly speaking, white does not count as a colour as it is not found on the colour wheel so midnight blue was my colour of choice for the occasion.

Midnight blue is one of those colours that go with almost everything. I say ‘almost’ loosely as from the top of my head I cannot think of any other colour that does not go with it. I think it’s so versatile that you can wear it all year round, day and night, summer or winter.

I recon it’s a good investment so if you do not have a blue suit (especially darker hues), I suggest you go out and get one now. You won’t regret it, ever!

Ok back to the look. As I said above, I was aiming for the ‘simple with a twist’ ‘cool classic’ look, which means one colour only.

With my white shirt providing layering for the suit, there was only going to be two accessories with this look, white pocket square and a watch. No necktie, bow tie, lapel pin or even collar tips.

Ok, in hindsight maybe I could have added a collar tip to give my collars a bit of character but that’s it, nothing else. With my shirt buttoned up and pocket square squared up my idea of simplicity is complete.

Now to add a little twist to the mix, I opted for a pair of white high top leather all-star converse. I could have gone for a pair of brown or black shoes with matching belts but that would make me look just like everyone else. With two folds on my trouser, I made sure the converse was in full view. The reason I chose converse over any other pair of white trainer is that converse in general carries that classic look and they are streamlined and fitted instead of being bulky. This I think goes well with my look. The converse on this occasion is the statement piece.

So next time you put one a suit, think of inventive ways of wearing it. Push fashion boundaries to make a statement.

The look:

Suit – FCUK

Shirt – TM lewin

Pocket Square – M & S

Trainers – Office by Converse

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The makings of a ‘Rudeboy’ – Ska, Porkpie hats and fashion

Return of the rudeboy exhibition – Covent Garden

When a good friend Cano told me about the exhibition and launch of a book called Return of the Rudeboy, curated by Dean Chalkley and Harris Elliott, I immediately sprang into action by first entering the dates into my diary, and then proceeded to doing a bit of online research on the origins of the concept. I was quite keen to check out the exhibits this time round as I missed their very first London exhibition at somerset house in 2014.  I have heard and seen Dean and Harris’s body of works before and even follow their Instagram page but did not really know much about the history of Rudeboy and wanted to have a deeper understanding of its roots. What better way to do so than speaking to the two men who made it all possible, so off I went to the hospital club in Covent Garden.

‘Rudeboy’, no I am not referring to Rihanna’s  2010 hit song.  Just in case this is your first time hearing about “Rudeboy” in this context let me try to give you a quick background to it Jamaican origins from the 1960s to its present day use here in England.

Harris Elliott, creative director of return of the Rudeboy and I

What is a Rudeboy and how is the style relevant today?

Rudeboy is said to be the first youth subculture of Jamaica after the country gained independence from Britain in the 60s. This subculture was necessitated by poor living conditions in the shanty towns of West Kingston were an underground economy grew and young people had to find ways to survive by any means necessary. The youth quickly became disenfranchised and violence ensued, even leading to curfews being put into place to curb such violence. With these struggles by marginalised citizens came the need to form informal and sometimes illegal groups and gangs to protect and fend for friends and families. The original Rudeboys was formed. The rudeboy wore sharp suit and pork pie hats to create their own personal style. Some say they did so to mimic the lifestyle of the upper class adding sunglasses to the look which they wore at all hours of the day. Living in the slums of West Kingston but wearing sharp suits and ties makes the rudeboy identifiable by their neighbours in the slums and suspicious to the upper class of Kingston. They literally stood out and with time,  Ska music was associated with the Rudeboys.

Looking back in history, it may seem like Ska music and the Rudeboy subculture have enjoyed a close relationship from the start. However, Ska music came before the Rudeboy image was recognised as a subculture in the mid to late 60s.

Ska itself is a music genre with elements of mento, calypso, American Jazz and rhythm and blues and in the late 50s Jamaica and a predecessor of genres such as Rocksteady and Reggae.

Mind the details

Apart from dressing well and being huge fans of Ska music, the Rudeboy subculture helped spread the music to the working class which later became known as 2 Tone Ska upon it revival in England in the 70s. Subsequently, Rudi and Rudies (Rudeboy and Rudegirl) became terms used to describe fans of 2 Tone Ska as they enjoyed a strong presence within the genre.

British youths in the 70s, both black and white wore sharp suits, with slim ties, pork pie hats and shoes to match to identify with the movement’s Jamaican roots. As with its earlier days, the Rudeboy movement divided opinions and Ska artists of the 70s were no exceptions as some see the subculture as a menace whiles some celebrated it.

Part of the Rudeboy collection

Fast forward to present day “Return of the Rudeboy”, fashion photographer Dean Chalkley and creative director Harris Elliott curated various pieces of sharply dress individuals who show the essence and spirit of a Rudie through what turned out to be successful exhibitions both in London and in Tokyo. Speaking to Dean himself on the last day of the London, Covent Garden exhibition, it became apparent that all the Rudies photographed had their unique styles through which their individual personalities shown but collectively embodied the essence of the Rudeboy look. Dean made sure to point out that none of the photographed Rudies were styled by himself or Harris.

As Harris Elliott himself put it, ‘Rudeboy image is not down to the clothes but the wearer of the clothes. The spirit and attitude the wearer channels through their personalities’. It is easy to see this as I admired the printed exhibits.

Exhibits

The looks of a Rudeboy back in the 60s is a far cry from what we identify today as Rudeboy in the inner cities of London. Rudeboys or Rudegirls these days are more likely to be wearing sportswear showing their bottoms than a well-tailored suit. In fact the youth that refer to each other as ‘Rude’ today deliberately wear hoodies as a way of differentiating themselves from the suit and tie, which is seen as conforming to the status quo.

The re-emergence of original Rudeboy dress code highlights how inner city subculture usually associated with disenfranchised youth has evolved over time.

From the dance moves of the Ska music, to the way Rudies wear their hats and ties means that the Rudeboy movement is not limited to what you wear but the attitude and spirit the wearer gives off defines one as a Rudie.

A copy of the signed book

Just before leaving, I asked Dean when we should be expecting another exhibition. He simply smiled and said we shall see. So until then I recommend you get the book here.